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No. 220212
>>220187 "Why don't you make something better" is in response to "Why doesn't this show cater to me specifically? It would be better if it was completely different." Which is an incredibly stupid thing to ask in the first place.
Steven is a pretty believable preteen just starting to grow into his powers. That's what this show is about: his coming-of-age story. He's designed so that the target audience can look at him and see someone they might want as a friend, and/or someone they kinda want to be. Older viewers might see him as a little brother figure. He's somebody to cheer for. If you don't like kids, then whatever, but I don't understand why you're watching a kid's show about kids if you hate them.
>>220151 The Scrappy Doo comparison fails for a ton of reasons. One, Scooby Doo is a completely different type of show: the characters are cardboard cutouts each with a set of static personality traits who repeat the same actions every episode and never develop, and that's because the point of the show is the mystery itself, not the people solving it. We aren't really supposed to give a shit about them or their problems (or at least, not until the newest Scooby Doo show anyway). Two, Scrappy was trash because he was a supporting character who contributed nothing whatsoever to the group and picked fights he obviously couldn't win, it had very little to do with his age and everything to do with his obnoxious personality. Scrappy Doo wasn't even added because he was a child character they thought children would relate to, he was added to shake up the formula viewers had gotten fucking bored of, and regardless of whether you personally hated him, Scrappy and the other changes they made to the show during that time saved it from cancellation.
Three, the "trend" of lead characters being roughly the same age as the target audience is hardly a new thing. Are you fucking kidding me. Did you read any books at all as a kid? Virtually all YA novels star preteens or mid-teens. Media for small children stars other small children. Sometimes they are a bit older than the audience so they can look up to them or allow them to fantasize that when they get to be that age they might get a letter from Hogwarts too. And in character-driven stories, they generally want to see the protags to go through the same sort of stuff they're going through (even if it's in a magical setting).
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